Sabres and Smoke: The War of 1812-Kickstarter campaign live

Following up on my earlier post about the upcoming strategy game, Sabres and Smoke: The War of 1812, I wanted to share in a brief post that the Kickstarter Campaign Hand2Hand Entertainment is starting for the game is now live.

The stretch goals look quite interesting, including extra scenarios, units, and illustrated battle cards. One thing to note is that the project is based in Canada, so the backer levels will be in Canadian dollars, but are converted into USD below. To get a copy of the game will set you back about $57 based on the exchange rate. Thus far, the project is 20 percent towards its goal.

My only critique of the campaign is that they have the backer level jump from Recruit at CA$75 where you get one copy of the game and all stretch goals to Officer at CA$340, where you get five copies of the game and all goals. In my humble opinion, I feel a middle-level “NCO” backer level in between those two, where a backer could get two, or three copies, would also help entice folks to back the game, as this is what I have seen from other board game campaigns. I also feel this would be nice, as then a backer could opt for this to have their own copy of the game and give one (or two) as a gift.

I do hope you will consider going to their Kickstarter campaign and check it out and, if you are so inclined, support it, as the game does look interesting.

An exciting new game on the War of 1812

I was recently contacted about a new two-player strategy game that deals with the War of 1812 that will be launching on Kickstarter later this week. Created by Hand2Hand Entertainment, Sabres and Smoke: The War of 1812 looks to be an interesting and tantalizing game that employs a mechanic similar to the game Commands & Colors: Napoleonics, though with some differences. You can view a video they have created below.

I recently reached out to them for a Q & A via email with Eric, one of the creators and wanted to share it with you all to let you know about this game.

How long has your company been in existence?

Our founder started working on Sabres and Smoke: War of 1812 in July of 2016. Sabres and Smoke is our first game.

What is your company’s overall mission?

We want to create a game that has a high level of historical accuracy but is also fun and not to complicated to learn. We hope that this get people interested in the War of 1812 and want to learn more about it.

How did you come to choose the War of 1812 as the conflict you would design a game around, and, what interested you about this particular conflict?

We chose the War of 1812 because there are very few other board games that focus on the War of 1812. There are lots of games that focus on other wars but we thought a game featuring the War of 1812 would be really unique.

How did you decide on the style of game to create, and, did you consider other types (miniatures, point to point map, etc.)?

We considered elements from different games that we really like and how we could bring those elements together to create something different that we could call our own.

How long was the design process from conceptualization to prototype?

The design process took a very long time. We started making rough drafts of the Battles in August of 2016 and had finished our final prototype of the Game by April 2017.

What has been the biggest struggle during the design and play testing process?

The Biggest struggle was finding different people to play test our game. We played the game ourselves a lot but had difficulty finding other people to play it in the early stages. Since then we were able to have multiple board game bloggers publish reviews of Sabres and Smoke and give us some really valuable feedback. We also play tested it with some 12 year olds to make sure that kids enjoy the game as well.

This question is for those interested in designing their own game. How did you go about designing the components and where did you source them?

We actually did all of the illustration and prototype design ourselves. Creating the prototype copies was very labour intensive for us, it involved a lot of printing and cutting on our end. The only part of the prototype games that we did not make ourselves were the plastic stands and the dice, which we used from sample orders we received from our suppliers.

Why do a Kickstarter campaign?

We decided very early on that a Kickstarter campaign was right for us because it would allow us to raise the money for Sabres and Smoke before it goes into production. This helps reduce a lot of the financial risk that comes along with producing board games on a large scale. Also, a Kickstarter launch is a great way to get people excited about our game.

What are your favorite elements of the game?

My favourite part of Sabres and Smoke is the way units are ordered. A lot of other games like like this have rules that make it difficult for players to carry out their battle strategies. In Sabres and Smoke, the only thing stooping a player from executing their strategy exactly how they planned it is the other player. This adds depth to the game and forces players to think more strategically than they might when they play other games.

Did any interesting situations arise as you play tested the game that potential players should be aware of, or that you realized needed editing?

Not really. There were a few minor things like typos in the rule book and certain battles needing to be more balanced, but there were no major changes that we needed to make to the game.

Do you have plans for expansions of Sabres and Smoke, or creating similar games around other historical conflicts?

We have some extra battles that we are using as stretch goals for our Kickstarter campaign and maybe for an expansion pack to be released later this year. We are not sure what type of game we will create next or if we will create further expansion packs for Sabres and Smoke: The War of 1812, we have been focused lately on making this upcoming Kickstarter a success.

What is the best way to reach out to you regarding the game itself, and/or looking to get involved with your company?

The best way to contact us is by email, you can reach us at hand2handentertainment1812@gmail.com. People can also reach out to us by sending us a message through our website and can receive more information and updates about our game by joining our mailing list. This can be done through our website https://www.hand2handgames.com.

I would like to thank Eric for his time and will be following this project in the coming weeks and am seriously considering backing this, if my finances permit it.

Osprey Publishing examines the Forts of the Frontier

Chartrand, Rene. The Forts of New France: The Great Lakes, the Plains and the Gulf Coast, 1600-1763. Oxford: Osprey Publishing, 2010. Illustrations, Maps, Photographs, Index. 64 pp. $10.42.

Chartrand, Rene. The Forts of Colonial North America: British, Dutch, and Swedish colonies. Oxford: Osprey Publishing, 2011. Illustrations, Maps, Photographs, Index. 64 pp. $10.42.

Many of you may be familiar with Osprey Publishing, which produces hundreds of titles related to military history on a variety of subjects. Those interested in the forts of the British colonies and New France will enjoy two titles that Osprey released a few years ago. Forts were important to the history of the colonial frontier, as some of the pivotal battles of the wars that occurred in North America between Britain and France were fought for control over fortifications (ex. Forts Duquesne, Carillon, and the fortress of Louisbourg). Therefore, understanding them and how they were constructed is important to understanding the broader competition for empire in North America.

In 2010, Osprey released The Forts of New France: The Great Lakes, the Plains and the Gulf Coast 1600–1763 by Rene Chartrand. The book is a wonderful introduction to the various levels of fortifications and change over time of them across France’s far-flung colonial empire in North America. Several would be fought over during the series of wars between France and Britain (King William’s War, Queen Anne’s War, King George’s War, and the French and Indian War).

The book is beautifully illustrated, as is customary for Osprey products, with several plates devoted to different forts in New France. The book follows a chronological and geographical flow, examining the forts of each region of New France (Gulf Coast, Plains, and Great Lakes region) from the earliest period of French colonial activity to the conclusion of the French and Indian War, when France was expelled and the territory transferred to British control.

The garrison sizes were discussed, as most forts in the regions were smaller affairs, served by only a couple dozen troops. In addition to establishing French claim over the area, the forts served as centers of trade and establishments of relations with Native Americans. Many of the early forts were established specifically to facilitate trade with Native American groups, especially those in the Great Lakes area (the Pays d’en Haut). Most forts were simple wooden construction and relatively small, but some grew into very large stone fortifications by the eighteenth century.

The forts covered allowed France to maintain its authority over such a vast swath of North America and make its claims over areas. They also served as scenes for the struggle for empire between Britain and France, and with Native Americans in North America. One fort that I was delighted to see included was Fort de Chartres in southern Illinois. I have visited this restored post several times, as it is only a couple hours from my hometown. The book discussed to two distinct fortifications at the site, first wooden, later replaced by stone, both under constant threat from the Mississippi River.

Like the French, the English (later British), Dutch, and Swedes established forts in their colonies to serve as places to claim territory, establish trade with Native Americans, and protect their imperial frontier from French and Native incursion. In The Forts of Colonial North America: British, Dutch and Swedish colonies (2011), Chartrand examined the history of fortifications built by the English, Dutch, and Swedes during the 17th century and the conquest of the latter by the English. Later, these sites became the backbone of British control over its North American colonies and the front line of defense when war with France raged. Like the French, these forts also started as smaller, simple wood-constructed stockades, with some growing into larger wooden fortifications, or taking on stone facades.

This book provides a wonderful general introduction to early colonial history along the American coast and traces the history inland, as Britain begins to establish inland forts. Several forts are illustrated in beautiful color plates that attempt to show readers what they may have looked like in their day. One fort that is featured is Fort William Henry, site of a major siege during the French and Indian War that was later novelized and dramatized in James Fenimore Cooper’s Last of the Mohicans and its film adaptations.

Rene Chartrand was an excellent choice to write these works, as his background is fitting for writing such works for a broad audience seeking a general informative overview. He served as curator for over three decades for Canada’s National Historic Sites before venturing into freelance writing. This allows him to write the works for the casual reader that is seeking knowledge on the broad subject as opposed to a deep academic analysis.

Both books provide wonderful information about the subjects they cover, including detailed maps, chronological tables of key events, as well as glossaries of terms related to the subjects, allowing readers who do not have the background to better appreciate the subject covered. Though geared towards general readers and non-academic audiences, these two books are great for those seeking to get an introduction to the forts of colonial America and some basic factual information surrounding them. They serve as a springboard for diving into other literature on the subjects of fortifications, New France, British America, relations with Native Americans, colonial military history, and a bit of engineering.

Well-researched and illustrated, these two books are worth having on your shelf if remotely interested in colonial era fortifications. While they focus on the sites of empire, Osprey also suggests other related titles that deal with the troops of the various imperial powers fighting for control of North America. At less than $15, these books are a great deal to begin building a library on colonial history and can be enjoyed by readers both young and old, though I would say a good minimum age for these works would be around 12-14 given the subject matter and terms used.

If a fan of Osprey books, or just a casual interested person looking for something different, certainly give these two works a try.

A legend passes away

I found out via Facebook that renowned historian Edmund S. Morgan passed away at 97. You can read more about it at http://www.nytimes.com/2013/07/09/us/edmund-s-morgan-historian-who-shed-light-on-puritans-dies-at-97.html?smid=pl-share.

Morgan wrote on the Puritans and the larger colonial period. One of his major works that influenced generations was American Slavery, American Freedom: The Ordeal of Colonial Virginia (1975). He was an influential and important scholar and will be missed.

The Slaves’ Gamble a look at African Americans in the War of 1812

Cross-posted to Civil War History

While a little outside the chronological range covered by this blog, I thought I would share exciting news about a new book that seeks to alter our impression of antebellum slavery through the lens of the War of 1812.

Smith, Gene Allen. The Slaves’ Gamble: Choosing Sides in the War of 1812. New York: Palgrave Macmillan, 2012. 272pp. $27.00.

Gene Allen Smith, historian at Texas Christian University, has written an interesting examination of how slaves viewed and used the conflict for their own opportunities. He showed that the war saw all sides using African Americans to aid their causes, while blacks saw the war as their chance to assert themselves, whether for seeking equality, in the case of free blacks, or freedom for slaves. Further, the war was a turning point in American race relations, as Smith noted that slavery was in a tenuous situation on war’s eve.

He noted that the war drastically altered this path of decline and that it further halted any potential progress towards freedom or equality, as blacks who joined British forces, seeking to better their lot in life, returned with invading forces, leading enemy troops into American communities. The consequence of this was a greater distrust among whites of arming slaves and enrolling blacks in militia units to augment white manpower, which continued into the Civil War, where African Americans served in segregated regiments with white officers. One of the other major problems resulting from the war was the expansion of available land for plantation agriculture, and plantation-based slavery.(3-4)

Smith begins his study by examining the story of black participation in North American wars. What is great about this chapter is the examination of the cross-cultural interactions, echoing Richard White’s remarkable work The Middle Ground. He concluded that the contributions of blacks to military conflicts during the colonial and revolutionary periods redefined the relationships between blacks and whites in North America.(31)

As he examined the role of blacks during the War of 1812, he weaved in the stories of black participants across the various theaters, providing a new and exciting understanding of the war that is as important to the larger field of study on the war as Donald Hickey. Smith concluded that blacks found became aware that their contributions to the war were minimized in post-war America. Further, white Americans began to react fearfully to black insurrection possibilities and worked to prevent the arming of blacks. Also, northern states began enacting laws outlawing blacks residing in them. Slavery became more entrenched in the South, as new areas were available for cotton production. Thus the war served as the last opportunity for blacks to attempt to fight for their place in society until the Civil War.(210-214)

The book is well researched, relying on sources from such scholars as Richard White, Gary Nash, Ian Steele, Stagg, and Don Hickey. In addition to strong secondary sources, Smith utilized several great primary sources that considered black participation, as well as interactions with Native Americans.

A good monograph that examines the difficult situation faced by blacks as they attempted to choose a side in the War of 1812 to further their position, Smith’s The Slaves’ Gamble is a great book for scholars interested in African American history, military history, the War of 1812, and is a good book for those interested in the Civil War, as it illustrates quite well how the forces that led to that great struggle came into being by America’s “second war for independence”.

Thoughts on PBS’s The War of 1812

As we approach the bicentennial of the beginning of the War of 1812, I thought I would share my thoughts on the PBS documentary The War of 1812. PBS has helped produce several remarkable documentaries, including Ken Burns’ The Civil War and Baseball as well as The War That Made America, dealing with the French and Indian War. The War of 1812 discusses this largely forgotten, but important conflict in much the same way that The War That Made America covered the Seven Years’ War, with stunning graphics and reenactments.

This film provided great context on the years leading up to the conflict, including the chief reasons for war, freedom of the seas and impressment, which Britain seized American sailors and forced them into the Royal Navy. This was due to Britain losing thousands of sailors while fighting in the Napoleonic Wars, both to battle and desertion. It also discussed the role of Native Americans prior to war, with a diverse cast of historians and experts providing several points of view.

As the years of conflict are chronicled, several personalities are presented, both high up in the armies of both sides, as well as the common soldiers. Viewers are introduced to Tecumseh, Isaac Brock, Sir George Prevost, Canada’s Governor-General, James Madison, Shadrach Byfield (a British soldier), William Hull, Henry Dearborn, Winfield Scott, and Andrew Jackson, among others.

The failures of the American army are quite clear. Plagued by inadequate, aging leadership, as well as militia that refused to cross the Canadian border, both invasions of Canada in 1812 and 1813 failed miserably. There were several firsts in this war, some that have not happened since. An American fort on American soil was captured and occupied by a foreign power (Revolutionary War and Civil War not being considered). An American city was surrendered (Detroit) to a foreign power, which was not counting the Revolution. The nation’s capital was captured and burned.

Two themes are important throughout the documentary. Canada coming into its own as unique from America and Native Americans losing both their territory and influence over North American war. It seems that Canada owes its eventual nationhood to the bumbling of American leadership during the war, as the invasions should have succeeded, as Canada was lightly defended and the invading armies usually outnumbered their enemy.

For Native Americans, Tecumseh represented the last significant stand for their people. He proved important before and during the war, as while a victory, the Battle of Tippecanoe was not as one-sided as American legend makes it out to be. Further, he provided important allies to the British war effort, getting along quite well with Brock.

James Madison is shown to be an interesting character and not of strong presence, while his wife Dolly was shown as a strong figure. In addition to Native Americans, the roles of women and African Americans is treated well.

In terms of artistry, the documentary weaves good reenactment scenes, animated maps, stunning effects with paintings and images, and gripping first-hand account narrations to make the war come alive to viewers. The internal political disputes over the war within the United States was treated well, showing that America’s position was rather fragile.

Overall, I urge everyone to watch the documentary, which you can do here. You can also buy the DVD and accompanying book, and check your local listings to see when it will show. The War of 1812 gets two thumbs up from me for great artistry combined with good history.

If you want to learn more about the conflict, I recommend Donald Hickey’s The War of 1812:  A Forgotten Conflict, which is out in a new bicentennial edition. I also recommend Hickey’s Don’t Give Up the Ship!:  Myths of the War of 1812, which presents the war in a question and answer format.

The mystery of the lost colony of Roanoke solved?

Courtesy of Fox News and the AP.

CHAPEL HILL, N.C. –  Has the Lost Colony of settlers been found?

In 1585, explorer John White traveled to Roanoke Island, and made a map and other drawings of the island. In 1587, a colony of 116 English settlers landed on Roanoke Island, led by White.

He left the island for England for more supplies but couldn’t return again until 1590 because of the war between England and Spain.

When he came back, the colony was gone — lost in the wilds of a young America.

Now experts from the First Colony Foundation and the British Museum in London have taken a fresh look at White’s 425-year-old map (the “Virginea Pars” map of Virginia and North Carolina has been owned by the British Museum since 1866) and uncovered a tantalizing clue about the fate of “the Lost Colony,” the settlers who disappeared from North Carolina’s Roanoke Island in the late 16th century.

Read more: http://www.foxnews.com/scitech/2012/05/07/new-clue-to-mystery-lost-roanoke-colony/?intcmp=obnetwork#ixzz1uEeoaQZq

NEW PBS DOCUMENTARY “THE WAR OF 1812” EXPLORES THE TRUTH AND MYTHMAKING OF HISTORY

— Television Program Presents American, Canadian, British and Native Perspectives, Leading the Way of Bicentennial Activities, Airs October 10 —

WASHINGTON, D.C. and BUFFALO, NY — Nearly two centuries after it was fought, the two-and-a-half year conflict that forged the destiny of a continent comes to public television in a comprehensive film history.  “The War of 1812” airs on PBS stations nationwide on Monday, October 10, 2011 at 9 p.m. ET (check local listings).  From 1812 to 1815, Americans battled against the British, Canadian colonists, and Native warriors; the outcomes shaped the geography and the identity of North America.  This two-hour HD documentary uses stunning re-enactments, evocative animation, and the incisive commentary of key experts to reveal little-known sides of an important war — one that some only recognize for the “Star-Spangled Banner.”  The broadcast is accompanied by a companion book and website, as well as comprehensive bi-national educational resources.

Across the United States and Canada, communities are planning events to commemorate the 200th Anniversary of the War of 1812.  “We have proudly created ‘The War of 1812’ for both nations,” said Donald K. Boswell, president and CEO of WNED, the producing station of the program. Broadcasting from Buffalo, New York, WNED has significant viewership in Southern Ontario.  “This timely examination of a shared history allows us to celebrate our past together, and renew the bond of our present and future as national neighbors.  With this production, WNED also continues a tradition of showcasing cultural and historical treasures of our bi-national region to the PBS audience.”  WNED is one of fourteen public broadcasting stations that share a border with Canada, extending the national broadcast of “The War of 1812” throughout the United States into many Canadian communities.

“WETA is pleased to join WNED in bringing this important project to all viewers,” noted Sharon Percy Rockefeller, president and CEO of WETA, the flagship public broadcasting stations in the nation’s capital and a partner in the project.  “It is an excellent example of the intellectual integrity and cultural merit for which public broadcasting stands.”

The War of 1812 is a celebrated event by Canadians, forgotten by many Americans and British, and dealt a resounding blow to most of the Native nations involved.  The film is in many ways an examination of how the mythical versions of history are formed — how the glories of war become enshrined in memory, how failures are quickly forgotten, and how inconvenient truths are ignored forever, while we often change history to justify and celebrate our national cultures and heritage.

“The War of 1812” explores the events leading up to the conflict, the multifold causes of the war, and the questions that emerged about the way a new democracy should conduct war.  It was a surprisingly wide war.  Dozens of battles were fought on land in Canada and in the northern, western, southern and eastern parts of the United States — in the present-day states of Michigan, Indiana, Ohio, New York, Maryland, Louisiana, and Alabama.  There were crucial naval battles on Lakes Erie and Champlain, and a wide-ranging maritime struggle with many episodes off Virginia, Massachusetts, Nova Scotia, Cuba, Ireland, the Azores, the Canaries, British Guyana, and Brazil.  The U.S. proved surprisingly successful against the great British navy, but the War of 1812 also saw American armies surrender en masse and the American capital burned.

Great characters emerge in the film, including Tecumseh of the Shawnee nation, who attempted to form a confederation of Native nations, and died in battle; his adversary, William Henry Harrison, Governor of the Indiana Territory, whose debatable success at Tippecanoe, Indiana eventually helped him become President of the United States; James Madison, Father of the U.S. Constitution, a brilliant thinker and writer who was not a great President; and such storied Canadian figures as Canadian Governor-General George Prévost, who led the largest army ever to invade the Continental United States; Laura Secord, a Canadian woman who walked many miles to warn the British of an impending American attack; and Major General Isaac Brock, a brave and audacious British general who captured a large American army at Detroit without a fight.  The film also recounts dramatic human stories of ordinary citizens, the political alliances of the various Native Americans nations, and the African-American
slaves who reached for their freedom by fighting for the British.

“The War of 1812” recollects defining moments that are more familiar: the burning of Washington, D.C., and First Lady Dolley Madison’s rescue of a portrait of George Washington from the White House; Andrew Jackson’s total victory at the Battle of New Orleans; and the birth of the American national anthem, penned by Francis Scott Key during the Battle of Baltimore at Fort McHenry.  Yet “The War of 1812” pierces the heroic mythology that has grown up around the war to reveal a brutal, spiteful conflict dominated by fiascos and blunders.

The war shaped North America in the most literal way possible: had one or two battles or decisions gone a different way, a map of the continent today might look entirely different.  The U.S. could well have included parts of Canada — but was also on the verge of losing much of the Midwest.  The New England states, meanwhile, were poised on the brink of secession just months before a peace treaty was signed.  However, the U.S. and Canada ultimately each gained a sense of nationalism from the conflict, while the result tolled the end of Native American dreams of a separate nation.

Interviews with twenty-six leading authorities on the War of 1812 — American, British, Canadian and Native historians — present important accounts and research, including from the following individuals:

·       Donald R. Hickey, professor of history at Wayne State College, Wayne, Nebraska.~ He is the author of~Don’t Give Up the Ship!: Myths of the War of 1812~and~The War of 1812: A Forgotten Conflict.

·       Peter Twist, the Canadian director of Military Heritage, a historical military uniform and arms supply company.~ He has served as consultant on numerous film and theater projects, and is an expert on the military history of the War of 1812.

·       Donald Fixico, a Shawnee Native American, is the Distinguished Foundation Professor of History at Arizona State University, and author of~Treaties with American Indians: An Encyclopedia of Rights, Conflicts and Sovereignty~and~Rethinking American Indian History.

·       Sir Christopher Gerald Prevost, great-great-great-grandson to George Prévost, Governor-in-Chief of British North America during the War of 1812.~ He is co-author of~The Incredible War of 1812: A Military History.~

A complete list of those interviewed is available in the project’s electronic press kit.

The film’s companion book, The War of 1812: A Guide to Battlefields and Historic Sites, by John Grant and Ray Jones, is illustrated with more than 120 color photographs and archival paintings.  Each chapter focuses on one of several distinct theaters of the war, allowing the reader to follow the course of events and their importance to the war as a whole.  Jones is the author of more than 40 books, including several highly successful companion books for PBS, among them Legendary Lighthouses.  Grant is the executive producer of “The War of 1812” and chief content officer for WNED Buffalo/Toronto; he has also produced for PBS “Window to the Sea”, “The Marines” and “Chautauqua: An American Narrative.”

The project is also accompanied by a rich bi-national education and outreach component.  It includes Educator’s Guides with lesson plans, activities, and a host of educational-based resources designed for the United States and Canada, classroom posters, and several instructional events.  Expansive educational resources will also be found on the full companion website to the television documentary at pbs.org.  The full site will launch in early September with features such as a battlefield map and guide, web-only video features, scholar essays, and links to key 1812 sites on both sides of the border.

For more information about “The War of 1812,” including details on how to purchase the DVD and companion book, visit www.pbs.org/war-of-1812.  An electronic press kit, including downloadable photos for promotional use, is available at pressroom.pbs.org.

“The War of 1812” is a production of WNED-TV, Buffalo/Toronto and Florentine Films/Hott Productions Inc.,~in association with WETA Washington, D.C.  The executive producers are John Grant and David Rotterman for WNED, and Dalton Delan and Karen Kenton for WETA.  Produced by Lawrence Hott and Diane Garey of Florentine Films/Hott Productions Inc.  Directed by Lawrence Hott.  Written by Ken Chowder.  Narrated by Joe Mantegna.  Principal Cinematography by Stephen McCarthy.  Production Design by Peter Twist.  “The War of 1812” has been made possible by a major grant from The National Endowment for the Humanities: Because democracy demands wisdom*.~ With funding provided by The Wilson Foundation, Warren and Barbara Goldring, the Corporation for Public Broadcasting: a private corporation funded by the American people, The Arthur Vining Davis Foundations: Dedicated to strengthening America’s future through education, Phil Lind and The Annenberg Foundation.~ With additional support
from The Baird Foundation, the Niagara Falls Bridge Commission and Jackman Foundation. *Any views, findings, conclusions or recommendations expressed in this program do not necessarily represent those of the National Endowment for the Humanities.

WNED-TV is a leading producer of single-topic documentary programming for national broadcast on PBS including “Chautauqua: An American Narrative,” “Elbert Hubbard: An American Original,” “The Adirondacks,” “Niagara Falls,” “The Marines,” “Window to the Sea,” “Frank Lloyd Wright’s Buffalo” and “America’s Houses of Worship.”  Also in development are films on the Underground Railroad and the history of golf course architecture in America.  More information on WNED and its programs and services is available at www.wned.org.

WETA Washington, D.C., is the third-largest producing station for public television.~ WETA’s other productions and co-productions include “Washington Week with Gwen Ifill and National Journal,” the arts series “In Performance at the White House” and “The Kennedy Center Mark Twain Prize,” and documentaries by filmmaker Ken Burns, including the premiere this fall of “Prohibition.”  More information on WETA and its programs and services is available at www.weta.org.

Florentine Films/Hott Productions Inc. is the production company of Lawrence Hott and Diane Garey, who have worked together since 1978.  They are part of the Florentine Films group.  Hott and Garey have received an Emmy Award, two Academy Award nominations, five American Film Festival Blue Ribbons, fourteen CINE Golden Eagles, a George Foster Peabody Award, the Alfred I. duPont-Columbia University Award, the Erik Barnouw Award.~~Their work has been shown on PBS and screened at dozens of major film festivals, including the New York Film Festival, Telluride, Mountainfilm, and Women in the Director’s Chair.~ More information is available at www.florentinefilms.org.

Review of Massacre: Daughter of War

Skjelver, Daniell Mead. Massacre:  Daughter of War.  Rugby, ND:  Goodwyfe Press, 2003.

Danielle Mead Skjelver wrote a very skilful novel weaving her family history within the larger events in colonial America during the seventeenth and early eighteenth centuries, including the tumultuous events of King Phillip’s War (1675-76) and Queen Anne’s War (1702-13). Beginning with the 1637 destruction of the Pequot Fort, the book traces the Hawks/Scott family and its place within the larger Anglo-French conflicts as well as conflicts with Native Americans. Several characters stand out within the story:  Sergeant John Hawks, Hannah Scott (the Sergeant’s daughter), Jonathan Scott (Hannah’s husband), John Scott (Hannah’s son), Honors The Dead (a fictional Mohawk warrior), and Red Bear (Honors The Dead’s son-in-law). All of these characters relate to each other as the story progressed and indict Puritan life along the way.

The story of Honors The Dead is a truly remarkable one when considered against Sergeant John Hawks and his family. Taken captive when very young, Honors The Dead witnessed the destruction of his birthplace in 1637, where Sergeant John Hawks’ father participated in the massacre of the Pequot residing there. Honors The Dead sees the Sergeant’s father looking down at him after the death of Honors The Dead’s father, which allowed the boy to see the unique features of the Hawks family, their blue eyes (described as ice blue) and blonde hair. As he grew into manhood among a rival people, Honors The Dead sought revenge against the one he perceived killed his father.

Meanwhile, the Hawks family continued the tradition of serving in the military, as Sergeant John Hawks participated in King Phillip’s War. War was a way of life more than just serving in it, as Hawks soon found out. When Queen Anne’s War erupted in the colonies, Hawks’ daughter Hannah was living in Connecticut Colony raising a young family, while a remarried John lived in Deerfield, Massachusetts Colony. Tragedy struck the Sergeant’s family, as the Deerfield Raid in 1704 claimed several members to outright murder and captivity. Despite this, Hawks begins to recover, living with Hannah and her family. An uneasy peace settles over the family, as they go about the routine of Puritan life, while Red Bear continues on the warpath and avenging his father-in-law’s loss of his first wife and daughters at the hands of the English, including Sergeant Hawks.

Tragedy strikes Hannah’s family as her brother-in-law is tortured and killed by Indians, while Jonathan, and her two oldest sons, John and Jonathan Jr. (known by Junior in the book) are taken captive by Red Bear and his war party. The book then addresses the hardships of captivity, including running the gauntlet and internal conflict within a boy.

While all the main characters are captivating, the character of young John Scott, who is captured at the age of eleven truly stands out. Skjelver described the nature of Puritan life quite well, including the many negatives. Poor John, who was left-handed, was treated harshly in his Puritan community, as they viewed this trait as a predilection towards devil worship and evil. While his grandfather, John Hawks, is a little more gentle with the boy, his Puritan beliefs do surface on occasion. The boy tries hard to please those he loves, but he excelled in areas viewed as bad by Puritans. His father, Jonathan Scott, while initially appearing as a loving father, later comes across as a hard, uncompromising man, a sharp contrast to his mother Hannah, who seems to recognize her son’s unique characteristics, but is prevented from nurturing him to the fullest by the constraints of society. Through Skjelver’s portrayal, one sees the attraction of the open frontier versus the unbending harshness of Puritans.

Young John Scott comes across as a pseudo-Hawkeye, as he is drawn to the wild of the woods and becomes a skilled hunter, which draws the attention of Red Bear. Upon entering captivity, readers will feel the strong conflict within John’s soul, as he takes to Indian life, where he is accepted for who he is. John’s story forces readers to reflect upon their own faith, character traits that may contrast with their community, and how they might handle such a situation. Through the story of the Hawks/Scott family, Hannah is truly a “daughter of war”, suffering such loss that few women could endure.

Danielle Skjelver’s prose was solid, descriptive, and truly captured the cruelties of warfare and the strength of the human spirit. Given her current graduate study in History, it is no doubt that she will one day make her mark in historical scholarship. Though the story is different and involves an earlier period, Massacre:  Daughter of War is a wonderful fictional account based around real events and serves as a twenty-first century model of Last of the Mohicans.

Lafayette: The Lost Hero to air Monday, September 13 on PBS

On Monday, September 13 at 9PM Central Time (check local listings), PBS will air a documentary on one of the more unique and important figures from the Revolutionary War, the Marquis de Lafayette. Lafayette was a French noble, who came to fight for the American cause at only 19. Lafayette: The Lost Hero presents the intimate story of the man who served as major-general in the Continental Army, and was a close friend of George Washington.

The story of Lafayette involves struggle and troubles, as while he is from a noble family, he strives to prove himself in French aristocratic society. He marries Adrienne, daughter of French aristocrats in 1775. In his youth, he became enamored with the idea of liberty and found sympathy with the American cause, which motivated him to travel to America, leaving a pregnant Adrienne in France.

The Revolution is but one part of the whole story. Lafayette’s life after the Revolution is covered very well, including his role in the French Revolution, imprisonment in France and Austria, and return to America to a hero’s welcome in 1824-5. The interesting aspects of this film are the love between him and Adrienne, as well as how both France and the United States have seemed to forget Lafayette (an example given was a statue of him donated by American schoolchildren being moved from the center of Paris to an obscure park). Through wonderful use of living history demonstrations, interviews with scholars and descendants of the Marquis, and wonderful use of images and animations, Lafayette: The Lost Hero is a documentary that you should record and watch.

Here’s a trailer:

Lafayette: The Lost Hero from The Documentary Group on Vimeo.

Click here for images and information on the documentary from the PBS website.

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